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Art and Propaganda
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This 4 page paper provides an overview of the use of art to create propaganda in advertising. This paper considers both art and architecture as elements of culture that can support propaganda. Bibliography lists 4 sources.
Filename: MHArtPro.rtf

Art and Recruitment: World War I, Flagg, and Christy
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A 5 page introduction to commercial illustration as it was characterized during the World War I era. This paper concentrates on the work of James Montgomery Flagg and Howard Chandler Christy. Bibliography lists 5 sources.
Filename: PPartIllustrators.rtf

Art and Social Forces
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A 7 page paper which examines how art is a product of social forces and also how it transcends social forces. Bibliography lists 10 sources.
Filename: RAartsoc.rtf

Art and the Civil War Era
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A 6 page contention that through the examination and study of different works of art from Civil War era, we can learn about what life was like during this tumultuous time. This contention is supported with examples. Bibliography lists 5 sources.
Filename: PPartCivWarPeople.rtf

Art as Emotion:The Aspect of War
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This 5 page paper discusses feeling as both the subject and the object of art, as shown through the madness of war. Major artists who have used war as their theme include Francisco Goya, The hird of May, 1808; Salador Dali, Soft Construction of Boiled Beans: Premonition of War and Jeff Wall Dead Troops Talk. Bibliography lists 6 sources.
Filename: BBwarart.rtf

Art as Expression in Society
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A 4 page paper which examines how art in Russia and the United States is a form of expression that can often impact society. Bibliography lists 3 sources.
Filename: RAarusim.rtf

Art as Political Statement: Impressionist and Dada
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A 4 page paper which examines themes of political input in Impressionist and Dada art. The works and painters examined are Camille Pissarro’s “Peasants Resting,” George Grosz’ “Germany: A Winter’s Tale,” and Edouard Manet’s “Execution of the Emperor Maximilian.” Bibliography lists 10 sources.
Filename: RAdadpol.rtf

Art as Thematic Element
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A 5 page paper which examines how different authors use art as an element, pertaining to theme, which serves to gain the attention of the reader. In most cases the use of art is incredibly subtle and is there as a tool to express, and more thoroughly define, the position of the individual within the story. In examining this topic the paper uses "M. Butterfly" by David Henry Hwang, "Real Love" by Andrew Ross, and "How the Garcia Girls Lost their Accents" by Julia Alvarez. No additional sources cited.
Filename: RAartbks.rtf

Art During the French Revolution: Examples from the Work of Jacques-Louis David
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A 6 page overview of the influence of the French Revolution of the art of the time. Several of Jacques-Louis David’s paintings (including “The Tennis Court Oath”, “The Oath of Horatii”, and “Napoleon at the Pass at St. Bernard” are analyzed in terms of their depiction of historical circumstances. The conclusion is reached that David considered commoners heroes alongside famous generals like Napoleon. His art was not always a true reflection of historical circumstance, however, but rather a reflection of his ideologies and beliefs. Bibliography lists 5 sources.
Filename: PPart18t.rtf

Art Education
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An 8 page research paper on Art education, its history, and suggested goals for relevant curricula. The theories of significantly renowned artists and art teachers are discussed with relevance to the author's own creative ideals. Bibliography lists 5 sources.
Filename: Arteducn.wps

Art History Questions
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7 pages. This is a series of four questions concerning such topics as the difference between modern and contemporary art, narrative perspectives on collecting art, and why art museums are resistant to art history.
Filename: JGAartqs.rtf

Art History: Ribera, Durer, and Bellini
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A 3 page paper which examines three artists (Jusepe de Ribera, Albrecht Durer, Giovanni Bellini) from three different time periods (Baroque, Early Renaissance, Classical Renaissance). Bibliography lists 2 sources.
Filename: RAarptm.rtf

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