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Robert S. Duncanson and 'The Lotus-Eaters'
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A six page paper looking at this nineteenth-century African-American artist in terms of the presence of racial motifs in his art, particularly his painting 'The Land of the Lotus-Eaters.' The paper presents both sides of the argument, but concludes that Duncanson was primarily concerned with evoking the beauty of nature, not making a social commentary. Bibliography lists six sources.
Filename: KBduncan.wps

Garden Of Eden, Garden Of Gethsemane & The Last Supper
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10 pages in length. No greater contrarieties could exist than between the Garden of Eden and the Garden of Gethsemane; their drastic differences were as vast as the day is long. Where one represented peace and tranquility, the other symbolized sadness, torture and the depths of despair. There is much controversy and mystery surrounding da Vinci's painting, The Last Supper, depending upon which account one believes -- the biblical version or the contemporary version. Even within the biblical version, however, there exists varying accounts of what took place in da Vinci's masterpiece. The writer compares and contrasts the differences between the Gardens, briefly accounts for the fall of Adam and Eve, discusses the various interpretations of The Last Supper, and also includes a bit about the history behind the artist's rendering. Bibliography lists 11 sources.
Filename: GrdnEden.wps

Japanese Art Of The Kamakuran Period
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10 pages in length. The Kamakuran period marks the time in Japanese history when the city of Kamakura was the capitol of Japan. The period was characterized by great and beautiful art as a direct result of the change in military rule, and Buddhist beliefs. Most of the art of the time consisted sculptures pictures and portraits of Gods, spirits, and priests. This paper traces the development, significance, & style of Kamakuran Bibliography lists 5 sources.
Filename: Kamakura.doc

Japanese Art and Culture
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This 10 page paper provides an overview of Japanese culture with an emphasis on art. Included is a section on the history of art in Japan. Contemporary subjects are addressed including the culture's treatment of AIDS and homosexuality. Comparisons between Japanese and Western culture are made throughout the paper. Bibliography lists 11 sources.
Filename: Japcult.wps

Japanese Art During The Asuka Period
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This 5 page paper provides an overview of Japanese art as was created during the Asuka period. The scope of the era is defined and its link with the introduction of Buddhism is highlighted. The Horyuji Temple is noted as being important to the history of Japanese art and the clothing as created during the time period is also included. Bibliography lists 7 sources.
Filename: Asuka.wps

The Progresss of Visual Communication
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a 4 page paper in which the writer examines a painting of each, Ambrogio Lorenzetti, Leonardo da Vinci, and Raphael Santi, and shows through their depiction of the human body, the progression of visual communications. Bibliography lists 4 sources.
Filename: BBvisualCom.rtf

Defining the Female Canon
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A 5 page research paper that addresses the field of art criticism and how, traditionally, the art world has either ignored or belittled the work of female artists. Beginning with the feminist theory of Simone de Beauvoir and continuing to the work of Linda Nochlin, and finally to the tongue-in-cheek analysis of art history by the 'Guerrilla Girls,' the writer argues that there is a considerable canon of female artistry that deserves to be examined and appreciated. Bibliography lists 4 sources.
Filename: 90grrart.rtf

Ko Hung's The Moon Rises
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This 5 page paper takes a look at Asian art and most specifically The Moon Rises which was created at the end of the Ming era. The work is evaluated in the context of the time period. Composition and content are discussed as well as the political climate of the day. Bibliography lists 2 sources.
Filename: SA240Ko.rtf

"Madonna Enthroned" Times Two: Cimabue and Duccio.
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(11 pp) One way that art history has been studied is to trace the development of the realistic portrayal of the human form through visual art. We move from the ideal of the Greek physical body, to the early Gothic Christian influence of linear and simple depictions, forward to the beginnings of the Renaissance where once more the human shape starts to develop a realistic identity. Bibliography lists 6 sources and 3 visuals.
Filename: BBcimduc.doc

"Sword And Sheath," "Scholar's Studio" And "Red, White And Blue" - The Color Red
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8 pages in length. The color red in any context indicates strength, power and even defiance; in some cases, it also means a statement about war, conflict and other strife. Compared to all other colors of the rainbow, the color red is symbolic of political, social and religious ideals where a strong statement needs to be made. Within the art world, the color red represents the same indicators, often utilized in such a way as to blend with softer colors in order to temper the strength so prominent in red. Three countries with artists who proudly use red as a reflection of their nations' history are Africa, Korea and the United States, with red being a prominent color in Sword and Sheath, Scholar's Studio and Red, White and Blue. The theme associated with red in each of these works of art illustrates how each artist utilizes the color to represent strong emotional attachment to his or her country. Bibliography lists 9 sources.
Filename: TLCColorRed.rtf

"Veiled Lady"/Pietro Rossi
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A 3 page essay that describes and analyzes the "Veiled Lady," a marble bust by Pietro Rossi (1882). The writer gives a brief background on the work and then describes it in detail before discussing its features. Bibliography lists 2 sources.
Filename: khvelady.rtf

"Vertumnus And Pomona" By Boucher
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3 pages in length. Francois Boucher's artwork is particularly intriguing due in great part to the social and political changes that were occurring during this time period, a metamorphosis Boucher creatively adapted into his paintings. Restrictive devices that heretofore kept a tight leash on what and how artists could craft their talents all but disappeared during this European rebirth, with the likes of Boucher taking every opportunity to display a much more elaborate, whimsical and even daring perspective. The royal court appreciated his unique style as well, having purchased and exhibited several of his pieces. Vertumnus and Pomona oil on canvas from 1757 is a good example of how the French artist establishes a more playful attitude during this era. Bibliography lists 1 source.
Filename: TLCVertumnus.rtf

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